Publications
Wilde, E., & Duarte-García, M. (2023). Livecoderas Latinoamericanas: Diversity, educational access and musicking networks in live coding in Latin America. Organised Sound, 1-12. https://doi.org/10.1017/S1355771823000407
Duarte-García, M. A., Wilde, E. (2023). Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico. Computer Music Journal 2022; 46 (1-2): 58–71. doi: https://doi.org/10.1162/comj_a_00638
Wilde, E., & Duarte García, M. A. (2022). La escucha y partitura gráfica como herramientas pedagógicas en el análisis musical. An@alítica 5(5), 62-78.
http://revista-csh.ler.uam.mx/index.php/rda/article/view/106/83
Wilde, E., & Duarte García, M. A. (2022). A Taxonomy of Musical Interfaces for Use in the Classroom. Ricercare15(1), 74-97.
https://publicaciones.eafit.edu.co/index.php/ricercare/article/view/7341
Duarte, M., Wilde, E. (2021). Tackling the Lack of Inclusivity in Computer Music in Rural Areas in Mexico: A Case Study of Michoacán. Array, the journal of the International Computer Music Association ICMA 2021(1), 34-42. https://doi.org/10.25370/array.v20213272
Duarte-García, M. A. & Wilde, E. (2021). Sound installation art and the intervention of urban public space in Latin America. SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 10(1), 107-124. https://doi.org/10.7146/se.v10i1.124201
Pinkel, S., Harrower, J., Ahrndt, J., Ashford, R., Carlson, K., Deck, K., Duarte, M., Lederhendler, L., Lee, Y., Mackenzie, L., Pirrotta, G., Sahota, S., Serrati, V., Šimbelis, V., Thompto, C., Chamier-Waite, C., Zavala, K., & Odendaal, A. (2020). Top-Rated LABS Abstracts 2019. Leonardo 53(5), 552-558. https://doi.org/10.1162/leon_a_01942
Duarte-García, M. A. & Sigal-Sefchovich, J. R. (2020). Paisaje Sonoro en el Aula: Un proceso de enseñanza del sonido en la educación musical inicial a través de los modos de escucha. Ideas Sónicas, 23(1), 101-104. http://sonicideas.org/magazine/articles/12/22
Duarte, Mario, & Sigal, Rodrigo. (2020). Ámbitos de expansión de la música electroacústica en la educación básica. Electroacoustic Music Studies Network (EMS), Mexico City: Zenodo. http://doi.org/10.5281/zenodo.3711479
Duarte-García, M. A., Wilde, E., Cortez, R. & Sigal-Sefchovich, J. R. (2020). The use of an interactive music system as an aid for exploring sound in music education in a rural area. Revista Música, 20(1), 357-380. https://doi.org/10.11606/rm.v20i1.170736
Duarte-García, M. A. & Sigal-Sefchovich, J. R. (2019). Working with electroacoustic music in rural communities: The use of an interactive music system in the creative process in primary and secondary school education. Organised Sound, 24(3), 228-239. https://doi.org/10.1017/S135577181900030X
Duarte, M. (2009). ¡Ya hoy es mañana!. Revista Migala No.02.
Postdoc Research Dissemination
Taxonomía del espacio en la música electroacústica.
Primer Coloquio Internacional Espacio e Inmersividad. PIATS-UAM Lerma. México. Noviembre 2018.
La escucha tecnológica en los ámbitos tímbrico-espaciales basada en los principios de agrupación perceptual gestalt.
Coloquio Modos de Escucha: Abordajes transdisciplinarios sobre el estudio del sonido. Facultad de Música, UNAM México. Octubre 2018.
Sistemas interactivos de composición e interpretación musical como medio de iniciación al proceso creativo.
Visiones Sonoras 14, Festival Internacional de Música y Nuevas Tecnologías, México. Septiembre 2018.
Timbral and spatial interactive systems in the community: The use of electroacoustic music in education and social integration.
‘Bringing New Music to New Audiences’ International Conference. Music, Technology and Innovation Research Centre, De Montfort University, Leicester UK. Septiembre 2018.
Sistemas tímbricos y espaciales en la comunidad: La electroacústica como medio de cohesión social.
Primer Encuentro Inter ENES, ENES León UNAM. Abril 2018.
La tecnología computacional en el ámbito musical.
Seminario de Investigación de la Licenciatura de Tecnologías para la Información en Ciencias, ENES Morelia, UNAM. Marzo 2018.
DNA Sonification
Biological approaches to Music Composition, Algorithmic Composition, Mixed media.
I am curious in the biological systems and how those could be integrated into the compositional process. Currently I am doing a PhD at NOVARS Research Centre, The University of Manchester. My research is about DNA and mRNA sequences as systems for music composition using sonification and musification as a tool to produce sonic outcomes.
DNA Research Dissemination
Space as a compositional parameter in Electroacoustic Music, a taxonomy of the space.
Research Fora,The University of Manchester, October 2016.
Codifying text and DNA sequences using a MaxMSP interface.
Innovation Match MX, First International Forum of Mexican Talent Abroad, Guadalajara, Mexico, April 2016.
Sonification strategies applied to music composition.
Composer’s Forum, The University of Manchester, March 2016.
DNA as a System for Music Composition.
BFE/RMA Research Students’ Conference, Bangor University, Wales, January 2016.
DNA and RNA sequences as a Systems for Music Composition.
Creative & Digital Industry Day, Manchester Business Engagement, UK, September 2015.
DNA and RNA sequences as a Systems for Music Composition.
Symposium on Art and Science, The Whitworth, June 2015.